There have been a number of books and movies where cruelty to children is the main theme. The Maze Runner is sort of a combination of the book Lord of the Flies mixed with The Hunger Games. As sickening as The Maze Runner is at times, you might say it is a lite version of both this book and these movies.
The premise though is kind of interesting, if more than a bit disgusting. In case you missed the trailers, about fifty adolescent boys seem to be trapped in the center of a large maze. In its center, which doesn’t look like it is more than a square mile, they can live a Spartan sort of existence based on mutual cooperation. Except for one gap in the wall, which closes with sundown they are trapped inside. This gives them incentive to explore the maze during the day. This maze though does not stay static and changes daily. If you don’t make it out by sundown, you are presumed dead. The concrete walls of the maze press together, killing anyone unfortunate enough to be between the walls at the time.
Once a month a new male teen is delivered via an underground elevator, his past conveniently erased. He is forced to join the tribe. The latest one is Thomas (Dylan O’Brien) who quickly has to fit in among the established pecking order. Things have been scary but sort of all right in the center of the maze, but Thomas’s arrival seems to upset the apple cart. A teen gets “suckered” (goes crazy in the woods) nearly killing Thomas. Huge cyborg spiders that hang out in the maze begin to do so during the daylight, making going into the maze all the chancier. Thomas joins the elite group of runners of the maze and quickly decides they must confront their worst fears and the spiders inside it and actually escape. The unusual delivery of a girl Teresa (Kaya Scodelario) with a note makes this perfectly clear. Just in case they don’t take it seriously, a cyborg spider attack occurs during the day, which kills most of them. This makes actual escape an imperative.
The movie is well done, the acting is generally good and the premise is creepy. It’s pretty obvious though that they are the rats in this maze and their days are numbered. The only real question is who is inflicting this misery on them and why? Your curiosity will be rewarded at the end of the movie, but your patience may be tested when you get to the end you realize this movie is first of what looks like many more.
Being inhumane to children seems to be a new profitable Hollywood theme as actual child abuse is against the law. This movie is simply another one and actually less grisly than the many Hunger Games movies. My sensitive stomach found it hard to watch anyhow. It’s well done, it just doesn’t really satisfy the itch for a satisfying conclusion. 3.2 out of 4-stars.
How much you like this last movie in the bloated three-part movies based on JRR Tolkien’s The Hobbit will probably depend on what you thought of the first two. This is more of the same, but is actually reasonably entertaining. It’s just that it is not too easy to reconcile the movie with the actual book, if you have read it.
Thankfully, it has been thirty years or more since I read The Hobbit, so I forgot many of the details, thus I didn’t mind too much that so many plot points had changed. What you really get of course is Peter Jackson’s interpretation of Middle Earth and that requires entertainment and you get plenty of that. So it’s showy, bloated, way over the top, full of CGI and gives plenty of screen time to ancillary characters that never appear in the book itself, including more interspecies love between dwarf and elf, something of a father-daughter relationship between Legolas and Tauriel, and battle scenes that I admit are at least as compelling as the siege of Minas Tirith from The Return of the King. You also get little Peter Jackson signature items, like the invincible Legolas and his amazing abilities to defy gravity as well as lots of collapsing stone pillars, towers and bridges. Clearly these were constructed with low bid contracts because it doesn’t take much to turn them into rubble. You get to witness the awesome power of a dragon (Smaug) as he lets loose his fiery mouth on the town of Dale and watch Thorin descend into gold fever once Smaug is gone and those hordes of treasure are his.
The best parts of the movie though have nothing to do with these massive, mostly CGI-generated battle scenes, but those that are not part of the book itself, such as when an imprisoned Gandalf is rescued by Saruman, Elrond and Lady Galadriel at Dol Goldur. There we get to see the Ringwraiths again and watch Saruman (a near ninety-something Christopher Lee) kick some serious ass back when he was still a force for good. Most of the rest though is formulaic but at least comfortable as you pretty much get exactly the sort of Peter Jackson experience you expect. Jackson’s many movies now feel homey. They may be bloated but they are at least familiar.
Your feelings about Jackson are unlikely to change from watching this movie, but if you watch this last movie you at least get your money’s worth and see Jackson come close to reviving his best efforts from the original movies.
3.3 out of 4 stars.