Interstellar is another one of these movies that is quite good, providing that you don’t think about it too much. Don’t let this stop you from seeing the movie if so inclined. It’s not at all a bad movie and it is quite engaging. Ignorance about science actually helps, although director Christopher Nolan got plenty of scientific help to try to make the premise semi-plausible.
The premise of the movie is that the earth is dying, at least as a habitat for sustaining human life. Not much else other than corn is growing and you will see plenty of corn, at least until Cooper (Matthew McConaughey) decides to abandon his farm and family to take a trip through a wormhole around Saturn that appears to have been placed there by an alien intelligence. The wormhole has already taken some brave cosmonauts across vast distances of space and time (actually to another galaxy) to some area of space where there are some candidate planets that might support human life. Mankind needs to vacate the earth soon, which is Cooper’s reason for volunteering to command this mission. He wants to save his daughter Murph (Mackenzie Foy) from the grisly fate of slow death that all humans will face if they don’t get off the planet soon. Apparently, colonizing Mars is out of the question.
Cooper used to be a test pilot but became just another farmer after his test flying days ended. His skills were no longer required. He’s a competent but unenthusiastic farmer who frequently wakes from nightmares from his accident as a test pilot. Fortunately, there’s a gravitational anomaly on his farm. It’s not good to have one of these, but between this and the massive dust storms that regularly arrive he and Murph are reading signs in the patterns of dust in the library of their farmhouse. And decoded it sends them to a place on their handy USGS topographic map where nothing should be. When they drive out there though they find a fenced in area. Once inside, what they really find is NASA, now a hush-hush agency, and Professor Brand (Michael Caine), the genius working on the really hard problem of moving the human race off the earth, out of the Milky Way and to some far flung place to ensure the survival of the species.
This sounds like a worthwhile endeavor but goodness, what a strange set of coincidences already because Cooper already knows Professor Brand from his flying days. Brand immediately petitions him to take a spacecraft to Saturn, because he is the best test pilot he ever saw. He wants Cooper to take it through the wormhole and then to various systems and planets abnormally affected by gravitational waves to find a planet that humans can colonize. Just in case no one on earth can actually follow them en masse, each spacecraft comes complete with human incubators to restart the species on a suitable planet. It is, to say the least, a series of remarkable coincidences. But it’s just the beginning of these as well of many questions.
For me, among the questions is why some sort of intelligent species would place this prominent and useful wormhole near Saturn but not bother to give them a way to communicate. Then there is the physics on whether you could actually traverse through a wormhole and survive on the other side. Obviously, it makes for a great movie if you can. After a long trip from Earth to Saturn with his two travelling companions Brand (the professor’s daughter, played by Anne Hathaway) and Romilly (David Gyasi), they do slip through the wormhole. Cooper and Brand quickly engage in a series of literally hair-raising visits to a couple of local planetary systems. They go there to find some pioneers who went there and to see if the planets are habitable. Gravitational waves and relativity play major tricks on them, allowing them to age hardly at all while Romilly waits 23 years for their return. Meanwhile, Cooper knows that back home his daughter Murph is aging relatively much more quickly than he is and is seriously wacked out by her father’s disappearance. He promised to come home and get her, but as decades pass it’s hard to see how this can happen, particularly when none of the previous explorers have come back. Fortunately, at least one-way communications from Earth is possible. This gives Cooper many opportunities to tear up when he gets sporadic reports from Murph, who quickly catches up with him in age.
So yes, the plot is a bit convoluted and incredulous at times, but it is all portrayed quite realistically otherwise. Most science fiction and space operas don’t talk about the problem of relativity. At least this one tackles it. And the acting is quite good all around. The acting includes a supporting role for Matt Damon, who plays one of the pioneer astronauts, Dr. Mann.
The plot frequently moves across space and time, to this far-flung galaxy then back to earth, NASA and Dr. Brand’s lab where little Murph becomes one of his scientists and helps him with his complex space/time formula he can’t quite seem to finish. There are plenty of suspenseful parts of the movie. If you are having trouble feeling affected by the acting, then you can revel in the voluminous orchestration that, if you are of a certain age will sound familiar. It’s not just the organ music that feels like it’s come out of 2001: A Space Odyssey, but many of the characters as well as much of its plot. Yes, the movie feels like it is something of a homage to the classic 1968 science fiction movie, imitating it in many ways but fortunately not in 2001’s cerebral nature, divorced as it was from emotion.
Matthew McConaughey has grown up as an actor. In the past I have panned his movies. Here he gets to play a serious role rather than a pretty boy with flaxen, blow dried hair, and he does a good job with it, as does Anne Hathaway, of course as his female partner Brand. There is plenty of emotion to revel in too, which considering the weighty topic of the survival of our species seems quite appropriate.
Just don’t think about it too much. Don’t think about how they manage to survive such a long time (hibernation certainly helps) in their spacecraft, don’t think about the improbability of emerging alive on the other side of a wormhole, and don’t think about the likely lethal amounts of cosmic rays just a trip to Saturn would have given them. Presumably NASA figured out a workaround. As regular readers may remember, I don’t believe we are destined to live on other planets, let alone other solar systems or galaxies, given the daunting nature of known physics and the distances between solar systems. Earth is it for our species, I’m afraid. But if you have to dream about such a possibility, Interstellar gives you as plausible a scenario as you are likely to get. It’s just, if you have studied the science and do think about it, you realize it is still implausible.
But you probably won’t care too much. Overall the movie is too good not to ignore a lot of dubious science and major issues with the plot in general. Indulge and enjoy. Here’s one movie that is quite literally stellar.
3.3 points on my four-point scale.